Posts Tagged ‘NY Times’

sobering health care editorial

Saturday, November 14th, 2009

I was catching up on some NY Times reading today and came across this Nov. 5 editorial by Nicholas Kristof and was inspired to share, because I think it’s really important (and surprising) reading:

The moment of truth for health care is at hand, and the distortion that perhaps gets the most traction is this:

We have the greatest health care system in the world. Sure, it has flaws, but it saves lives in ways that other countries can only dream of. Abroad, people sit on waiting lists for months, so why should we squander billions of dollars to mess with a system that is the envy of the world? As Senator Richard Shelby of Alabama puts it, President Obama’s plans amount to “the first step in destroying the best health care system the world has ever known.”

That self-aggrandizing delusion may be the single greatest myth in the health care debate. In fact, America’s health care system is worse than Slov—er, oops, more on that later.

The United States ranks 31st in life expectancy (tied with Kuwait and Chile), according to the latest World Health Organization figures. We rank 37th in infant mortality (partly because of many premature births) and 34th in maternal mortality. A child in the United States is two-and-a-half times as likely to die by age 5 as in Singapore or Sweden, and an American woman is 11 times as likely to die in childbirth as a woman in Ireland.

Canadians live longer than Americans do after kidney transplants and after dialysis, and that may be typical of cross-border differences. One review examined 10 studies of how the American and Canadian systems dealt with various medical issues. The United States did better in two, Canada did better in five and in three they were similar or it was difficult to determine.

Yet another study, cited in a recent report by the Robert Wood Johnson Foundation and the Urban Institute, looked at how well 19 developed countries succeeded in avoiding “preventable deaths,” such as those where a disease could be cured or forestalled. What Senator Shelby called “the best health care system” ranked in last place.

The figures are even worse for members of minority groups. An African-American in New Orleans has a shorter life expectancy than the average person in Vietnam or Honduras.

I regularly receive heartbreaking e-mails from readers simultaneously combating the predations of disease and insurers. One correspondent, Linda, told me how she had been diagnosed earlier this year with abdominal and bladder cancer — leading to battles with her insurance company.

“I will never forget standing outside the chemo treatment room knowing that the medication needed to save my life was only a few feet away, but that because I had private insurance it wasn’t available to me,” Linda wrote. “I read a comment from someone saying that they didn’t want a faceless government bureaucrat deciding if they would or would not get treatment. Well, a faceless bureaucrat from my private insurance made the decision that I wouldn’t get treatment and that I wasn’t worth saving.”

It’s true that Americans have shorter waits to see medical specialists than in most countries, although waits in Germany are shorter than in the United States. But citizens of other countries get longer hospital stays and more medication than Americans do because our insurance companies evict people from hospitals as soon as they can stagger out of bed.

For example, in the United States, 90 percent of hernia surgery is performed on an outpatient basis. In Britain, only 40 percent is, according to a report by the McKinsey Global Institute.

Likewise, Americans take 10 percent fewer drugs than citizens in other countries — but pay 118 percent more per pill that they do take, McKinsey said.

Opponents of reform assert that the wretched statistics in the United States are simply a consequence of unhealthy lifestyles and a diverse population with pockets of poverty. It’s true that America suffers more from obesity than other countries. But McKinsey found that over all, the disease burden in Europe is higher than in the United States, probably because Americans smoke less and because the American population is younger.

Moreover, there is one American health statistic that is strikingly above average: life expectancy for Americans who have already reached the age of 65. At that point, they can expect to live longer than the average in industrialized countries. That’s because Americans above age 65 actually have universal health care coverage: Medicare. Suddenly, a diverse population with pockets of poverty is no longer such a drawback.

That brings me to an apology.

In several columns, I’ve noted indignantly that we have worse health statistics than Slovenia. For example, I noted that an American child is twice as likely to die in its first year as a Slovenian child. The tone — worse than Slovenia! — gravely offended Slovenians. They resent having their fine universal health coverage compared with the notoriously dysfunctional American system.

As far as I can tell, every Slovenian has written to me. Twice. So, to all you Slovenians, I apologize profusely for the invidious comparison of our health systems. Yet I still don’t see anything wrong with us Americans aspiring for health care every bit as good as yours.

Kristof followed up with another great column on Nov. 11 titled “America’s Defining Choice,” comparing the choice of what’s better to spend $100 billion dollars on: health care and the war of Afghanistan, a choice he examines because these two pressing issues both have bills equaling that amount in Congress.

So Yong Kim & Bradley Rust Gray

Monday, April 20th, 2009

Independently Intimate Directors is an interesting article, written by Dennis Lim, on two writer/director/producers, So Yong Kim and Bradley Rust Gray, whose work I’m interested in and admire. They also happen to be married to each other, and they work very closely on each other’s films. I really hope that I will be able to see both Treeless Mountain and The Exploding Girl in the very near future.

I’ve been missing L.A. a lot lately. It doesn’t help that I consistently get e-mails for great events that are happening there – Albert Maysles, Michel Gondry, Dave Eggers/Vendela Vida/Sam Mendes/Maya Rudolph, Mike Mills, etc. I haven’t been back in awhile, and I’m sure these films will be opening there before getting to Omaha, so one more reason to get out there sometime soon.

Arts funding

Monday, February 16th, 2009

Okay, I know I run the risk of coming off like a spokesperson for the N.Y. Times, but I also wanted to mention (and link to) a really interesting article about arts funding that was in today’s Arts section.

The arts is an area of all this economic and stimulus package talk that often gets ignored, and the reality is that I hadn’t even heard about this section of the bill before today (though I have generally bypassed many articles on the economy because how many of those can you really read?), so maybe it was my own ignorance. However, I think it’s a facet of an important issue that deserves attention, and I’m happy to say that after a close call, the final version of the recovery package does indeed include $50 million for the National Endowment of the Arts.

It is just disturbing to me to read about people in positions of power and government not recognizing the importance of art on a country’s culture, well-being, and cultural and economic prosperity. And there seems to be a lot of ignorance floating around when you have a Representative (Republican Jack Kingston of Georgia) saying things like this:

“I just think putting people to work is more important than putting more art on the wall of some New York City gallery frequented by the elite art community…call me a sucker for the working man.”

Is Jack not aware that many (or most) artists make less than say, an electrician or plumber? I have pay stubs if he needs to see the proof. By the way, Jack, many people who would fit into your championed group of “working men” are employed in artistic fields: electricians and grips on film sets, construction/woodworkers, set builders, lighting technicians, audio technicians, builders/electricians/plumbers/accountants for art galleries, ticket takers, garment workers, and arts writers (or maybe they don’t get dirty enough to qualify as the rough and tumble “working man”). There are too numerous to continue on with this list, but you get the picture and those are only examples of the directly employed…think about those who benefit economically indirectly, for example, the restaurant next to the Broadway theatre, etc.).

I hope we can move towards a more holistic understanding of the arts and its role in society and not have preconceived notions of who “artists” are and who enjoys art. There are people of every race, ethnicity, and socioeconomic status who are artists, who try to make a living doing something that relates to art, and who enjoy art in some way.

Why would there be a stigma attached to giving money to people that try to make a living making/supporting/disseminating art or involved in preserving art or educating about art when there is no stigma attached to giving money to people who try to make a living making cars, through investments or the stock market?

Anyway, I think it’s an important article to read, especially if you’re in the arts, have friends and family in the arts, or care about the arts. If you don’t follow into any of these categories, I probably don’t know you personally, but I recommend it anyway.

I could go on, but I’ll stop myself…here’s the article: Saving Federal Arts Funds: Selling Culture as an Economic Force.

Neko Case

Monday, February 16th, 2009


This Sunday’s NY Times Magazine had a great article on Neko Case. For those of you not fortunate enough to get the Sunday N.Y. Times, you can read it here.

The photo above is taken in her newly acquired barn in Vermont, with her “piano strays.”

Also, the Arts and Entertainment section had an article on M. Ward. Another link for you.

the art of movie warnings

Friday, May 2nd, 2008

I’m not sure when this started, but it’s been a while now that I’ve been enjoying the italicized warnings at the end of certain New York Times movie reviews. I think that Manohla Dargis started the trend, but it looks like it’s spreading. It seems almost like an inside joke among the arts writers, a brief look into their personalities to show that despite their erudite analyses in a respected, lofty publication, they still have a sense of humor. As intended, they also serve the purpose of informing possible viewers (and parents) of material that may be found offensive, too mature or too graphic.

Here’s an example from today’s Iron Man review, written by A.O. Scott: “It has a lot of action violence, non of it especially graphic or gruesome. Also, Iron Man has sex, and not with the suit on. But not completely naked either.”

Here’s a poetic, haiku-like example from Redbelt by Manohla Dargis: “Blood and raw words.” For In Bruges she writes: “Dirty words, bloody wounds.” It’s like Jim Carroll writing movie reviews. The Other Bolelyn Girl has a good one too: “Roving hands, rolling heads.” Too perfect.

Dargis can also be flip while providing cultural commentary, such as the warning for Vacancy: “The usual: knife and gun violence, brief female nudity, profanity.” Some are also funny for their specificity, like this one for The Number 23: “It has adult language, scenes of animal endangerment, and one realistic-looking slit and spurting human throat.”

They are like little gems sprinkled throughout, which makes finding them all the more fun (because some reviews have no warning at the end, and others are boring like “strong language and violence”, for example).

p.s. Can anyone remember the name of a more recent movie that was described as “Fight Club for teens?” I remember that one having a good one.

Dream for Darfur

Sunday, March 30th, 2008

There is a great article in the NY Times magazine today on the non-profit organization Dream for Darfur. The organization is using the Olympics as leverage to pressure China to end their support of the Sudan government and their actions, such as supplying weapons and oil, that have allowed the genocide in Darfur to continue. You can go here to read more about the direct link China has to the genocide in Darfur.

I urge you to read the article, it’s a really interesting read on a small organization that has made major gains. And if you go to their website it is really easy and quick to send e-mails to the corporate sponsors of the Olympics, the UN, Ambassadors, and the International Olympic Committee.

I am so happy that major news outlets like the Times have been covering China’s egregious actions with regards to human rights and freedom of the press and religion. The Times has had a few articles on the Tibetan “riots” and the violence that Tibetan protestors were encountered with by the Chinese forces. The articles have also given some background on the China/Tibet conflict, something that I think many people are still unaware of. The confluence of these two movements (Save Darfur and Free Tibet) and the unrest in China and the subsequent news coverage (much of it being suppressed by China) and the efforts by groups such as Dream for Darfur make actual change seem possible. At the very least, more awareness is brought about. But awareness is not enough, and there is opportunity for real change and action right now. And that is thrilling.

Critic love.

Tuesday, March 25th, 2008

I came across this NY Times article, My Private Screening With Pauline Kael, when I was looking for Kael’s famous review for The New Yorker on Bonnie and Clyde. That review was her first for the magazine, a detail I just discovered.

The article was written by Wes Anderson in 1999, shortly after he finished Rushmore. It’s funny, interesting, and gives some insight into both personalities.

Film in Omaha

Saturday, March 15th, 2008

Here’s an article from the NY Times on Film Streams.

I’m currently volunteering there, working on the education aspect of the theatre/non-profit. They’re hosting midday and after school screenings for High School students, with a discussion aimed towards analyzing/discussing the film in a critical manner afterwards. I think it’s a great program and idea, and I’m thrilled to be involved.

4 Months, 3 Weeks and 2 Days is currently playing there. I plan to see it tomorrow. I’ve heard a lot of great things about it, so I’m really excited for it.

Amy Sherman-Palladino article

Wednesday, March 5th, 2008

From the Sunday NY Times, read it here.

A good resource…

Tuesday, February 12th, 2008

…if you’re wondering what’s going to happen to your favorite TV shows (read: Friday Night Lights, 30 Rock and The Office) post-strike. The NY Times published this TV decoder yesterday. It’s a helpful guide that is broken down by networks, and the site states that it will be updated with new info as they get it.

Good news on The Office, 30 Rock front. And I must admit (shamefully) that I’m happy to see Gossip Girl will have 9 new episodes. Yes, I have revealed myself…the secret is out. Bad, yet not unexpected news for 24, which can’t seem to get its act together, and possibly downright frightful news for FNL. Please, NBC, do NOT cancel Friday Night Lights. This is your chance to make amends for Freaks and Geeks (well, not really, but still); don’t screw up again and cancel one of the best television shows on air.